Browse Items (13 total)

Photograph of the monument to the Three Rebel Queens of the Virgin Islands in St. Thomas, U.S. Virgin Islands.
The memorial shows three women facing outward, the leaders of the "Fireburn" Uprising in 1878, the largest labor revolt in Danish colonial history. Dressed in floor-length dresses and aprons, each figure carries objects related to their resistance.…

The Spirit of Freedom in Hamilton, Bermuda, depicts Sarah Bassett  bound tightly with ropes.
In 1730, the colonial government of Bermuda executed Sarah Bassett, an enslaved woman, for allegedly attempting to poison her granddaughter’s enslavers. In Spirit of Freedom, she is depicted as a slender female figure bound tightly with ropes, her…

Photograph of I Am Queen Mary statue. The statue is an allegorical portrait of Mary Thomas, known as Queen Mary, an enslaved woman who worked on a sugar cane planation in the Danish West Indies (now Saint Croix, U.S. Virgin Islands). She led the largest labor revolt in Danish colonial history, the "Fireburn" Uprising in 1878.
The statue is an allegorical portrait of Mary Thomas, known as Queen Mary, an enslaved woman who worked on a sugar cane planation in the Danish West Indies (now Saint Croix, U.S. Virgin Islands). She led the largest labor revolt in Danish colonial…

Henry "Box" Brown Memorial at the Box Brown Plaza along the Richmond Canal Walk in Richmond, Virginia.
The memorial commemorates Henry "Box" Brown's harrowing journey to freedom. On March 23, 1849, with the assistance of James Caesar Anthony Smith, a freedman and white abolitionist, Samuel Alexander Smith, Brown shipped himself in a two-by-three-foot…

Photograph of statue to Zumbi dos Palmares. He stands with his weight shifted to his right foot. He brings the sole of his left foot to his right shin and holds a spear in his left hand as he turns his head slightly to the left.
The work is dedicated to Zumbi dos Palmares, a quilombo leader and one of the principal forces behind the resistance to slavery in Brazil. The muscular, seminude figure of Zumbi dos Palmares, stands with his weight shifted to his right foot. He…

Photograph of the statue of Gaspar Yanga in Veracruz, Mexico. The work was created to celebrate Yanga, a seventeenth-century self-emancipated (former enslaved person) leader of a maroon colony .
The muscular, semi-nude figure looks resolutely forward as he raises a machete in his right hand and holds a long (sugar cane?) in his left. A shackle with a broken chain is still attached to his left wrist. The work was created to celebrate Gaspar…

Photograph of the Emancipation Statue (Bussa), holding broken chains in his hands. Located in Bridgetown, Barbados.
The monumental bronze statue depicts a semi-nude figure, dressed only in shorts. He raises his arms in a triumphant gesture, which accentuates the broken chains around his wrists. The identity of the figure is thought to be the leader of the April…

Photograph of the Edmonson Sisters Memorial in Alexandria, Virginia, shows the two sisters emerging from a large boulder.
Two young women emerge from a large rocky outcrop, their hands clasped tightly as they stride forward. The over life-sized work depicts the abolitionists and former enslaved sisters, Mary and Emily Edmonson. The statue is located on the site of the…

Figurative bronze statue of Dred and Harriet Scott embracing, located  in St Louis, Missouri.
A figurative statue of Dred and Harriet Scott. Dred Scott wears a suit with tie. He reaches his left arm behind Harriet Scott, embracing her; they also hold hands. Harriet Scott wears a full-length dress and turns her head upward.

Photograph of Desenkadená/Unchained in Willemstad, Curaçao. Three figures are breaking free from the chains that bind their wrists. The central figure is flanked by a man and woman, both of whom gaze at him as he breaks their chains. The “chain breaker,” a muscular, semi-nude man, stands in front of an anvil.
The over life-size bronze sculptural group depicts three figures, two men and one woman. As the title of the work, Desenkadená (Unchained) suggests, the figures are breaking free from the chains that bind their wrists. The central figure is flanked…
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